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And he looked at me funny because it was such an untrendy thing to do, but he said, ‘Well, okay.’ He'd heard me play Satch Boogie at a club in New York City one night and so he said, ‘Okay, is the album going to be like that?’ And I said, ‘Yeah, pretty much, with a couple of left turns here and there.’” “I pitched the album to Relativity Records' president, Barry Kobrin, in the exact same way. And I wanted to make an album that was about that. I'm just a sum total of all of the guitar players that I think were really cool. But at the same time, a large part of my playing is Tony Iommi and Billy Gibbons. I was a kid that grew up listening to The Beatles, and The Stones, and Jimmy Page, and Eric Clapton and Jeff Beck, and I wanted all of that in there.
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“And, so, for me, it went from Chuck Berry to Hendrix, from Wes Montgomery to Allan Holdsworth, I wanted to celebrate all of it. “Globally, the idea for the album was to celebrate everything that I really liked about electric guitar, my roots, and the players that I still really like,” Joe explains. The idea for the album was to celebrate everything that I really liked about electric guitar Now celebrating its 30th anniversary, Surfing stands as a landmark release in instrumental guitar music, fusing Joe’s love of guitar players right across the spectrum with a sense of fun, technique and, crucially, melody - the resultant album spanned high-octane blues fusion (Satch Boogie), lyrical ballads (Always With Me, Always With You) and bombastic rock (Ice 9), with consistently thrilling results. But most of all, it’s 10 tracks and four words that both defined Satriani and shred guitar as a whole: Surfing With The Alien. Joe Satriani is known for many things: his inimitable legato technique, formidable guitar tutelage legacy, uncompromising approach to composition, those shades. (Image credit: Ebet Roberts) Still riding the wave